For some instruments, arpeggios are very easy to execute because you can keep the same finger pattern or hand position and move it up and/or down the instrument. As a trumpet player, they can be a little more difficult to perform. I have loved playing the major 7th arpeggio in my improvisations because of the half step motion between the major 7th and the root. And, like many arpeggios, it can be played over more than just one harmonic context.
Since we have a number of people who visit this site from all over the world as well as different ability levels-we are going to take a quick look at what an arpeggio is and then start executing some basic arpeggiated ideas.
An arpeggio is a musical device where notes in a chord are played in a sequence. Below is a Cmaj7 chord and then a Cmaj7 arpeggio in quarter notes:
I like descending arpeggios. I like their sound more so than ascending (not that I do not like ascending or do not use them). In part 1 we are going to look at a simple descending arpeggio pattern. The first below takes the root of the chord and arpeggiates down.
For my ears, I love the half-step movement between the root and the major 7th. However, it still has an arpeggio type sound to it when it starts on the root. So, let’s take the same arpeggio and start on the 3rd:
Maybe it is just me, but this sounds more like a line that I can use in an improvisation. If you like this sound, try playing through it in all keys and getting the sound in your ears and the technique under your fingers. I have listed the example above in all keys below:
In the next couple of parts we will look at some other arpeggios as well as how we can apply them to our improvisations. However, before we do that, you should probably start playing through your arpeggios this week!