The End Is Here
The End Is Here I wanted to share a simple tip that has been helping my students. I’ve talked about targeting concepts for a long time, but we can view them in a number of different ways. For example, we can target the guide tones (3rds/7ths of chords) as we move from bar to bar…
Harmonic Targeting
Harmonic Targeting My previous blog posts about targeting concepts (aiming at a goal note with purpose) have dealt with the various ways we can get to the targeted note. We’ve also discussed what makes a good target. But, in today’s post I wanted to touch on something that I think might help a number of…
How To Practice Licks That Don’t Sound Like Licks: Part 2
In Part 1 of this series, we examined three strategies to spice up your practice sessions: 1) octave displacement, 2) rhythmic variation, and 3) sidestepping. I’d like to suggest two more ideas: 1) playing your licks backwards and 2) utilizing inversions. We’ll use the lick from Part 1 and the previous variations discussed for both…
How to Practice Licks That Don’t Sound Like Licks
It is my honor to introduce all of you to our guest contributor for our latest post, Mr. Justin Scoville. Justin and I first met at the University of Denver in 2004. Justin, in addition to being a fine jazz trumpeter, has recently started his own blog at The Jazz Daddy (which I highly recommend…
Using Drop 2 in Improv Part 2
Welcome to part 2 of Using Drop 2 in Improv. In this post we are going to talk about another we can use the Drop 2 concept to help your improvisations. This tip is one that you would use in your practice room. If you go back and check out the series called Map…
Say That Again
Have you ever had a line in your improvisation that came up in the moment that you liked so much that you wanted to Say That Again? But, the progression keeps moving so you had to transpose the line. For some improvisers this scenario can be nerve-racking because you might only know that line in…
Sequences
The Jazz community recently lost another great musician in pianist Mulgrew Miller. I have been a fan of his playing for years-especially his time with Woody Shaw. While thinking about his playing and some of his characteristics (and there are many) I loved the way he played sequences. In honoring Mr. Miller I thought this…
End of content
End of content