Hey Everyone…welcome back to Week #19 where we’ll be going into the second part of our multi-week series on using the melody. But before we do that, I wanted to thank every one again that was at my clinic at Drake University’s Turner Jazz Center on Friday (Oct. 7th). I had a great time and met a number of great people. Thanks again to Andy Classen (Director of Jazz Studies and Professor of Trumpet) for being a great host! I look forward to hearing good things out of those students and the further growth of Drake University’s Jazz Department.
Last week we looked at using the essential melody notes and guide tones to use the melody as our guide. However, our musical example didn’t have a difference between the essential melodic notes and the guide tones (they were the same). So, this week I wanted to take another jazz standard and use the same process we did last week to construct a solo based off of the essential notes/guide tones found in the melody. This week, we’re going to use Miles Davis’ Solar. Below is the melody with chords:
So let’s take a look at the essential melody notes. Again, we will still find that a majority of our essential melodic notes are guide tones. However, there are a few 9ths and 5ths that I’ve decided to use because I thought they helped define the melody (remember that in some cases personal preferences are ok). You will also notice that I’ve decided to use in some measures multiple essential notes/guide tones so I have additional targets to aim for during the solo. If you play through this reduced version of the melody (just the half notes and whole notes)-you can still hear the song. Below are what I would consider the essential melody notes and/or guide tones:
Now, let’s take the above as our road map and use some targeting principles (covered in previous blog tips and in my book, (Targeting: Improvisation With Purpose) along with some rhythmic creativity and build a solo:
I hope you’ve enjoyed this week’s tip! If you’ve enjoyed this tip (and blog), please be sure to share it with your friends on Facebook, Twitter, LinkedIn, Google+ or any other site that you’re a contributor. There are even buttons on the bottom that will link you to your accounts. If you’d like more information on how we can creatively target notes, be sure to check out my book-Targeting: Improvisation With Purpose by going to Jason Klobnak Music. I look forward to hearing from you!
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Jason Klobnak is a versatile trumpet player that has been performing as an active musician, author, clinician, composer and educator. His band, J's Ruckus, is Denver's blend of Post-Bop, Soul, Gospel, and Hip-Hop. They perform infectious and up-lifting originals for audiences hungry for a memorable live experience. J's Ruckus released their latest album, Suck Less, in March of 2020 and their first EP, Sermons, in July of 2019. Both were recorded live in front of an audience. Suck Less was recorded to a packed auditorium at Arapahoe Community College's Waring Theater in Littleton, CO. Sermons was recorded in front of a sold out crowd at the Soiled Dove Underground. The JKQ (the Jason Klobnak Quintet/Quartet) is Mr. Klobnak's Hammond B-3 centered groups. The JKQ released their third full-length album in March of 2018 called Friends & Family. It has been very well reviewed, on numerous Top 10 lists for Jazz radio stations across the country (including Denver's KUVO 89.3FM which named it May 2018's CD of the month), and in Jazzweek's Top 100. Each composition was written for specific family and close friends (that might as well be family). Their second album, New Chapter, was recorded in part thanks to the Pathways to Jazz Grant from the Boulder County Arts Alliance. In 2015 and 2016, New Chapter was in the Top 75 on the Jazzweek charts and on the Top 10 playlists for over a dozen radio stations worldwide. Their first album, Mountain, Move made the Best Recordings of 2013 list from AllAboutJazz.com by C. Michael Bailey. His very well reviewed Christmas single, Hark the Herald, in 2016 as part of a creative project with musicians James Roberson and Nathaniel Kearney Jr. Besides the JKQ, Mr. Klobnak is a B.A.C. (Best American Craftsman-custom trumpet), Denis Wick (mouthpiece and mutes) and Westone Audio endorsed artist (ES20 and Tru Customs). Mr. Klobnak has played and recorded for numerous groups ranging from jazz, soul/R&B, indie-rock/pop and gospel. In addition to performing, he has also written two improvisation-based books called Targeting: Improvisation With Purpose and Breaking the Monotony and is currently an adjunct professor and brass instructor at Arapahoe Community College. Mr. Klobnak holds a bachelor degree from Drake University (Des Moines, IA) and a Master’s degree from the University of Denver, Lamont School of Music (Denver, CO).
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