Last week we looked at mapping out a plan of attack when looking at a new chart or chord progression. We’re going to take the same chart (Stand Firm which will be on my album Mountain, Move later this year) and go further into the progression mapping out a plan. Last week we looked at some different options on the first two chords of the vamp/intro. In today’s post we will take a look at the remainder of that section. Below is the part of the piano part:
We talked about how the first two chords of the intro/vamp are the same chord quality just a whole step a part. This continues until the 7th and 8 bar. It takes the same chord quality and moves up a half step then an additional whole step (Dmin11 to Ebmin11 to Fmin11). Similar to last week’s map we can take pentatonic pairs and move them up a half step and then another whole step as shown below:
From there you can develop a road map of where you might want to go. Below is the full intro/vamp:
You can use whatever tools you want. I’m using pentatonics for these examples because they’re simple and contain great melodic possibilities. I’ve listed two different option paths you could take through the vamp/intro section:
Obviously there are a number of different combination paths you could choose, but like I mentioned last week I think it’s best during your first run-through of a new chart to find the path that has a nice linear path.
Next week we will take a look at the “A” section of this chart and continue mapping out a plan. If you haven’t already done so, I’d like to invite you to check out my Digital Store where you can get more information on my books (Targeting: Improvisation with Purpose and Breaking the Monotony), Skype Lessons and information on how you can help be a part of the Mountain, Move recording project. Also, don’t forget to check back daily for the Lick of the Day that is in the upper right corner of the site!
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