We’re going to talk about how we can creatively target with the major pentatonic with the flat 6th. This is definitely an exotic pentatonic scale and one that’s not talked about much but can be used in different applications and is relatively easy to learn. For those of you that have already learned your standard major pentatonic scales, this should be an easy scale to pickup. The major pentatonic with the flat 6th is just one note change (the 6th) away from the standard pentatonic. It’s constructed of the root, 2nd, 3rd, 5th and flat 6th scale degrees.
As we’ve been talking with the other pentatonic scales in previous weeks, they can be used over different harmonies outside of the parent or root scale. Last week with the minor pentatonic with the major 6th-we looked at how it works perfectly over any chord that fits in the melodic minor (dorian or jazz minor) scale/harmony. The major pentatonic with the flat 6th will work over any chord that fits in the harmonic major scale/harmony. This may be the first time some of you have heard about harmonic major (It’s a major scale with a flat 6th). While this pentatonic scale can be used over any chord found in that harmonic structure, I find it works best over a dominant chord with a flat 9th (example below). Notice how I’m using part of the C major pentatonic (with the flat 6th) to target the 5th scale degree of the Cmaj7.
Always remember that with any tool that we’re using (in this case a pentatonic), that we use it to aim with purpose at a target. You can use the most exotic scale, pattern or lick known in the universe-but if you’re just wandering with it…it has no purpose. The next example below has no chord changes above it, but you can tell that the major pentatonic with the flat 6th is being used. You will notice, however, that it’s based off of some form of C major harmony because either an E natural or a G natural are being targeted. This example is something that I might play over a vamp (Cmaj, Dmin7, etc).
I hope this week’s tip has been helpful and I look forward to hearing from all of you again this week! Please feel free to leave your comments (either here of by email) and feel free to share this tip (and blog) to others via Facebook, Twitter, Google+, LinkedIn, etc. We will continue the Pentatonic Series next week. Until then, be sure to check out my book- Targeting: Improvisation with Purpose by clicking on the link on the right or by going to Jason Klobnak Music.
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Jason Klobnak is a versatile trumpet player that has been performing as an active musician, author, clinician, composer and educator. His band, J's Ruckus, is Denver's blend of Post-Bop, Soul, Gospel, and Hip-Hop. They perform infectious and up-lifting originals for audiences hungry for a memorable live experience. J's Ruckus released their latest album, Suck Less, in March of 2020 and their first EP, Sermons, in July of 2019. Both were recorded live in front of an audience. Suck Less was recorded to a packed auditorium at Arapahoe Community College's Waring Theater in Littleton, CO. Sermons was recorded in front of a sold out crowd at the Soiled Dove Underground. The JKQ (the Jason Klobnak Quintet/Quartet) is Mr. Klobnak's Hammond B-3 centered groups. The JKQ released their third full-length album in March of 2018 called Friends & Family. It has been very well reviewed, on numerous Top 10 lists for Jazz radio stations across the country (including Denver's KUVO 89.3FM which named it May 2018's CD of the month), and in Jazzweek's Top 100. Each composition was written for specific family and close friends (that might as well be family). Their second album, New Chapter, was recorded in part thanks to the Pathways to Jazz Grant from the Boulder County Arts Alliance. In 2015 and 2016, New Chapter was in the Top 75 on the Jazzweek charts and on the Top 10 playlists for over a dozen radio stations worldwide. Their first album, Mountain, Move made the Best Recordings of 2013 list from AllAboutJazz.com by C. Michael Bailey. His very well reviewed Christmas single, Hark the Herald, in 2016 as part of a creative project with musicians James Roberson and Nathaniel Kearney Jr. Besides the JKQ, Mr. Klobnak is a B.A.C. (Best American Craftsman-custom trumpet), Denis Wick (mouthpiece and mutes) and Westone Audio endorsed artist (ES20 and Tru Customs). Mr. Klobnak has played and recorded for numerous groups ranging from jazz, soul/R&B, indie-rock/pop and gospel. In addition to performing, he has also written two improvisation-based books called Targeting: Improvisation With Purpose and Breaking the Monotony and is currently an adjunct professor and brass instructor at Arapahoe Community College. Mr. Klobnak holds a bachelor degree from Drake University (Des Moines, IA) and a Master’s degree from the University of Denver, Lamont School of Music (Denver, CO).
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