Improv for Kids-Part 3 Feeling Rhythm - Jason Klobnak Music

Improv for Kids-Part 3 Feeling Rhythm

Part 3. Last week we talked about keeping things simple. Simplifying the amount of information that the children have to pick from while improvising. In this part I want to talk about the importance of having children learning to feel rhythm. This is just as important (if not more) then the notes themselves.

When children are young is the best time to work on ingraining proper syncopated and swing-type rhythms to where they become second nature as they continue to progress. Every student I’ve met that grew up around syncopated rhythm (either in the home, churches, community organizations, etc) always have a better feel and pickup on improvisation better than those that don’t.

Have the children clap along with you to some second line and clave rhythms. (On the second line example, have them clap along with the bass drum).

Then have them clap some of those same lines while listening to you play a chord progression on the piano or a play-along. Be sure to make it swing. This helps them understand that the clave pattern CAN be used in more than just Latin-type music.

Finally, have them play the 3 to 4 note grouping you gave them from last week’s post and use the second line and clave rhythm. This gets them thinking about rhythm and note choices. To me, the rhythm should be thought of first…then the note choices.

I talk about this in more detail for adults in my book, Breaking the Monotony. You can check it out by going to my Digital Store for more information. There are also a few reviews listed above in the tabs at the top of the page. I hope you’ve enjoyed this week’s tip and that it has added value and benefit to you and your students!

SaveSave

SaveSave

SaveSave

About the Author jasonklobnak

Jason Klobnak is a versatile trumpet player that has been performing as an active musician, author, clinician, composer and educator. His band, J's Ruckus, is Denver's blend of Post-Bop, Soul, Gospel, and Hip-Hop. They perform infectious and up-lifting originals for audiences hungry for a memorable live experience. J's Ruckus released their latest album, Suck Less, in March of 2020 and their first EP, Sermons, in July of 2019. Both were recorded live in front of an audience. Suck Less was recorded to a packed auditorium at Arapahoe Community College's Waring Theater in Littleton, CO. Sermons was recorded in front of a sold out crowd at the Soiled Dove Underground.  The JKQ (the Jason Klobnak Quintet/Quartet) is Mr. Klobnak's Hammond B-3 centered groups. The JKQ released their third full-length album in March of 2018 called Friends & Family. It has been very well reviewed, on numerous Top 10 lists for Jazz radio stations across the country (including Denver's KUVO 89.3FM which named it May 2018's CD of the month), and in Jazzweek's Top 100. Each composition was written for specific family and close friends (that might as well be family). Their second album, New Chapter, was recorded in part thanks to the Pathways to Jazz Grant from the Boulder County Arts Alliance. In 2015 and 2016, New Chapter was in the Top 75 on the Jazzweek charts and on the Top 10 playlists for over a dozen radio stations worldwide. Their first album, Mountain, Move made the Best Recordings of 2013 list from AllAboutJazz.com by C. Michael Bailey. His very well reviewed Christmas single, Hark the Herald, in 2016 as part of a creative project with musicians James Roberson and Nathaniel Kearney Jr. Besides the JKQ, Mr. Klobnak is a B.A.C. (Best American Craftsman-custom trumpet), Denis Wick (mouthpiece and mutes) and Westone Audio endorsed artist (ES20 and Tru Customs). Mr. Klobnak has played and recorded for numerous groups ranging from jazz, soul/R&B, indie-rock/pop and gospel. In addition to performing, he has also written two improvisation-based books called Targeting: Improvisation With Purpose and Breaking the Monotony and is currently an adjunct professor and brass instructor at Arapahoe Community College. Mr. Klobnak holds a bachelor degree from Drake University (Des Moines, IA) and a Master’s degree from the University of Denver, Lamont School of Music (Denver, CO).

>