Welcome to the last part of the Map It Out series. In today’s post we will finish looking at the song Stand Firm by completing the “B” section and then creating a route through the whole progression. If you haven’t looked at the earlier parts in this series, I highly encourage you to check those out (or any of the other past posts on improvisation, composition, etc).

First, let’s take a look at the “B” section to Stand Firm. We mentioned last week that the “A” sections were in Abmaj, yet had a quick minor 2-5 that went to C minor (or the 3rd of Ab). Instead of implying a C minor sound, like the “A” section, the “B” section goes to the C minor. It’s complimented by it’s 5 chord-the  G7(b9).






As mentioned in the previous parts, we want to keep the map options simple through the first pass or two. So I’m listing different pentatonic scale options to simplify the thought process.









One option that I see that sticks out would be the Bb major pentatonic because it could be used over the entire “B” section. Again, this DOES NOT mean this would be your only option for improvising. It does, however, help provide a mental map of what your options are going through the changes for the first time. The more familiar you get with the progression, the more options you have available.

Now we have all of the different sections (intro/vamp, A section & B section) mapped out with some pentatonic options. Here’s how our map turned out:








The final stage is to take that map and chart out a route. You could do this in the moment if you are at a mature enough stage in your improvisation development. If you’re a beginner, I would suggest you do this before hand. Here’s one charted route based on the map above:








It may be hard to tell from the picture so here’s another version that may be easier to read:

  • Intro/vamp: Bb major pentatonic to C major pentatonic (repeated twice) to Db major pentatonic to Eb major pentatonic.
  • A Section: Eb major pentatonic through the first 6 bars. Then the Ab major pentatonic to the Bb major pentatonic in the 7/8 bar. (repeated)
  • B Section: Stay on the Bb major pentatonic because it works over both the Cmin7 AND the G7(b9)

This is ONE possible route you could take. There are a number of different route options. To hear which one I end up taking in the recording studio-be sure to grab my CD “Mountain, Move.” It should release in the Fall of 2013. If you’d like more information on how you can be a part of the CD project, you can visit my Digital Store today. Individuals and businesses that support the project not only get a copy of the album when it comes out, but they will have other benefits added along with it (including tickets to the CD release, their name/company logo on the jacket or CD, etc for certain donation levels). Be sure to stop by today and be a part of the project!





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