I wanted to talk today about a very practical tip that can improve your improvisations on the bandstand. Everything we do in jazz improvisation is about creating music in the moment. Today’s tip is simple, yet one that is often overlooked with younger or intermediate level players. That is the importance of starting out strong out of the gate.
We often times get in our own way by wanting our improvisation to be great and impress others that we force ideas that don’t fit what is happening in the moment and spiral downwards by wandering aimlessly hoping to find those that do. I want to make sure you have fewer of those moments on the bandstand. To start strong out of the gate there are a couple of questions you will want to ask yourself before you start your improvisation. These questions will set the stage for your improvisation and will give you a foundation to build your solo.
- What melodic and/or rhythmic statement do I want to make at the beginning of this solo? People remember the beginning and ending of your solo the most. If your opening statement is strong (melodic, catchy, definitive) then you can capture the audience’s attention. From here you can truly build your solo from what is happening in the moment.
- How does my opening statement connect with what is happening before this solo? We have to remember that our improvisation is NOT something separate from the initial composition. Your improvisation should be conversational which means your subject matter should be related to what has already been said (I don’t know about you, but I don’t like it if I’m having a conversation with someone and someone else comes in and changes the subject). If you’re following another soloist, how does your opening statement compare to their ending? If it’s not related then you may want to edit your opening statement.
You have a greater chance of success in your improvisation if you have a strong opening statement that is related to what is happening in the moment. What happens after that opening statement will depend on how the rhythm section and the audience reacts. This is how the music influences the direction of your solo and why you can’t rely on licks alone.
I hope you’ve enjoyed this week’s tip and that it has added some value and benefit to your playing in some way. If you haven’t checked out my books (Targeting: Improvisation With Purpose and Breaking the Monotony) yet, I would like to invite you to check out my Digital Store where you can find more information on them as well as my other products.