Out of the Gate

Out of the GateI wanted to talk today about a very practical tip that can improve your improvisations on the bandstand. Everything we do in jazz improvisation is about creating music in the moment. Today’s tip is simple, yet one that is often overlooked with younger or intermediate level players. That is the importance of starting out strong out of the gate.

We often times get in our own way by wanting our improvisation to be great and impress others that we force ideas that don’t fit what is happening in the moment and spiral downwards by wandering aimlessly hoping to find those that do. I want to make sure you have fewer of those moments on the bandstand. To start strong out of the gate there are a couple of questions you will want to ask yourself before you start your improvisation. These questions will set the stage for your improvisation and will give you a foundation to build your solo.

  1. What melodic and/or rhythmic statement do I want to make at the beginning of this solo? People remember the beginning and ending of your solo the most. If your opening statement is strong (melodic, catchy, definitive) then you can capture the audience’s attention. From here you can truly build your solo from what is happening in the moment.
  2. How does my opening statement connect with what is happening before this solo? We have to remember that our improvisation is NOT something separate from the initial composition. Your improvisation should be conversational which means your subject matter should be related to what has already been said (I don’t know about you, but I don’t like it if I’m having a conversation with someone and someone else comes in and changes the subject). If you’re following another soloist, how does your opening statement compare to their ending? If it’s not related then  you may want to edit your opening statement.

You have a greater chance of success in your improvisation if you have a strong opening statement that is related to what is happening in the moment. What happens after that opening statement will depend on how the rhythm section and the audience reacts. This is how the music influences the direction of your solo and why you can’t rely on licks alone.

I hope you’ve enjoyed this week’s tip and that it has added some value and benefit to your playing in some way. If you haven’t checked out my books (Targeting: Improvisation With Purpose and Breaking the Monotony) yet, I would like to invite you to check out my Digital Store where you can find more information on them as well as my other products.

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About the Author jasonklobnak

Jason Klobnak is a versatile trumpet player that has been performing as an active musician, author, clinician, composer and educator. His band, J's Ruckus, is Denver's blend of Post-Bop, Soul, Gospel, and Hip-Hop. They perform infectious and up-lifting originals for audiences hungry for a memorable live experience. J's Ruckus released their latest album, Suck Less, in March of 2020 and their first EP, Sermons, in July of 2019. Both were recorded live in front of an audience. Suck Less was recorded to a packed auditorium at Arapahoe Community College's Waring Theater in Littleton, CO. Sermons was recorded in front of a sold out crowd at the Soiled Dove Underground.  The JKQ (the Jason Klobnak Quintet/Quartet) is Mr. Klobnak's Hammond B-3 centered groups. The JKQ released their third full-length album in March of 2018 called Friends & Family. It has been very well reviewed, on numerous Top 10 lists for Jazz radio stations across the country (including Denver's KUVO 89.3FM which named it May 2018's CD of the month), and in Jazzweek's Top 100. Each composition was written for specific family and close friends (that might as well be family). Their second album, New Chapter, was recorded in part thanks to the Pathways to Jazz Grant from the Boulder County Arts Alliance. In 2015 and 2016, New Chapter was in the Top 75 on the Jazzweek charts and on the Top 10 playlists for over a dozen radio stations worldwide. Their first album, Mountain, Move made the Best Recordings of 2013 list from AllAboutJazz.com by C. Michael Bailey. His very well reviewed Christmas single, Hark the Herald, in 2016 as part of a creative project with musicians James Roberson and Nathaniel Kearney Jr. Besides the JKQ, Mr. Klobnak is a B.A.C. (Best American Craftsman-custom trumpet), Denis Wick (mouthpiece and mutes) and Westone Audio endorsed artist (ES20 and Tru Customs). Mr. Klobnak has played and recorded for numerous groups ranging from jazz, soul/R&B, indie-rock/pop and gospel. In addition to performing, he has also written two improvisation-based books called Targeting: Improvisation With Purpose and Breaking the Monotony and is currently an adjunct professor and brass instructor at Arapahoe Community College. Mr. Klobnak holds a bachelor degree from Drake University (Des Moines, IA) and a Master’s degree from the University of Denver, Lamont School of Music (Denver, CO).

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