Let It Go - Jason Klobnak Music

Let It Go

Maybe you have been there…maybe not. It is frustrating. Especially when you are in the moment and things have been going well up until that point. For whatever reason (and it could be a number of them) you have painted yourself into a corner with your improvisation. You realize the line that you are playing will not work. It could be the line wont fit the changes or it could be that you have started to wander.

At this point in time you have a critical choice to make as an improviser. There are two roads you can choose, but you have to make the decision quick because you are in the moment. Here are your options:

  1. The first is to try and play yourself out of the jam you have put yourself in. I will be honest, this can be fun and it can make an improvisation more exciting…when it works. The problem is that it does not work that often. This can actually increase the wandering effect. It is a vicious cycle. You wander to find something that works and you go further down the rabbit hole and wander some more. An effective improvisation is a conversation with the soloist,the rhythm section and the audience. Wandering is like the soloist speaking run-on sentences or constantly going on tangents that have nothing to do with the subject.
  2. In my opinion, the best option is to Let It Go. Stop playing the line as soon as you get to that point. End the statement at a logical point (sooner then later). Take a second to step back, breathe and start a new statement. Repeat this step as soon as you notice that you are going there again. If it happens too many times then you need more time with this chord progression.

I am not a psychologist, but there is something about our human wiring that wants to feel justified about a line we are playing. If it is not working out, we tend to feel like we need to work it out to protect our ego. If you had a chance to hear yourself in this process it does not sound good. However, when we drop our ego and let the line go you position yourself for a greater chance of success.

I hope you have enjoyed this tip and that it has added some value and benefit to your playing in some way! The JKQ is slowly making our way to getting our album Mountain, Move completed. We could still use your help, though. Stop by our Digital Store today and make a donation, purchase a book, schedule a clinic or Skype lesson. Every dollar gets us closer to our album release!

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About the Author jasonklobnak

Jason Klobnak is a versatile trumpet player that has been performing as an active musician, author, clinician, composer and educator. His band, J's Ruckus, is Denver's blend of Post-Bop, Soul, Gospel, and Hip-Hop. They perform infectious and up-lifting originals for audiences hungry for a memorable live experience. J's Ruckus released their latest album, Suck Less, in March of 2020 and their first EP, Sermons, in July of 2019. Both were recorded live in front of an audience. Suck Less was recorded to a packed auditorium at Arapahoe Community College's Waring Theater in Littleton, CO. Sermons was recorded in front of a sold out crowd at the Soiled Dove Underground.  The JKQ (the Jason Klobnak Quintet/Quartet) is Mr. Klobnak's Hammond B-3 centered groups. The JKQ released their third full-length album in March of 2018 called Friends & Family. It has been very well reviewed, on numerous Top 10 lists for Jazz radio stations across the country (including Denver's KUVO 89.3FM which named it May 2018's CD of the month), and in Jazzweek's Top 100. Each composition was written for specific family and close friends (that might as well be family). Their second album, New Chapter, was recorded in part thanks to the Pathways to Jazz Grant from the Boulder County Arts Alliance. In 2015 and 2016, New Chapter was in the Top 75 on the Jazzweek charts and on the Top 10 playlists for over a dozen radio stations worldwide. Their first album, Mountain, Move made the Best Recordings of 2013 list from AllAboutJazz.com by C. Michael Bailey. His very well reviewed Christmas single, Hark the Herald, in 2016 as part of a creative project with musicians James Roberson and Nathaniel Kearney Jr. Besides the JKQ, Mr. Klobnak is a B.A.C. (Best American Craftsman-custom trumpet), Denis Wick (mouthpiece and mutes) and Westone Audio endorsed artist (ES20 and Tru Customs). Mr. Klobnak has played and recorded for numerous groups ranging from jazz, soul/R&B, indie-rock/pop and gospel. In addition to performing, he has also written two improvisation-based books called Targeting: Improvisation With Purpose and Breaking the Monotony and is currently an adjunct professor and brass instructor at Arapahoe Community College. Mr. Klobnak holds a bachelor degree from Drake University (Des Moines, IA) and a Master’s degree from the University of Denver, Lamont School of Music (Denver, CO).

  • jazzman1945 says:

    Yes, the phrase into a dead end – nobody avoid it! And really, should reduce the size of ego – with a sensitive, understanding comping nothing is destroyed, if you treat him as an equal partner, not as a cart , which you must tug.

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