Improv Tip Week #42-Analyzing Lines Series 4 - Jason Klobnak Music

Improv Tip Week #42-Analyzing Lines Series 4

Welcome to week #42 where we’re continuing our series on analyzing lines. This week, we’re going to look at a line I was checking out while listening to Cannonball Adderley. It’s off his Them Dirty Blues album and is a song written by his brother (Nat Adderley) called Work Song. Like I mentioned last week: we’re breaking down these lines so we can find what makes it “click” so we can re-create something similar in our own playing.

Below is the line that I wanted to break down from his solo. This line occurs in his second chorus on the 6th bar:

I almost don’t want to state the obvious, but Cannonball shows that you can take something as simple as a descending chromatic line and make it sound great all in how articulates it:

While Work Song is not a typical blues, it is definitely played with a lot of blues elements and style. The Adderley brothers inflect the blues into many of their improvisations to great effect. This line contains a great example that sometimes inserting the blues sounds great even though it doesn’t fit chord/scale theory. Some may argue that this particular line is something else, but to me it is essentially a blues lick with two additional chromatic passing tones:

The last part of the line that I look at is how Cannonball uses targeting principles to connect his line. This shows that Cannonball was targeting the 3rd of the C7(#9) and the 5th of the Fmin7. For more information on how to creatively target notes (whether chromatic or other devices), check out my book Targeting: Improvisation With Purpose. What has always intrigued me about Cannonball Adderley is that when he would use chromatic targeting-it was almost always with great rhythmic variety.

I hope you’ve enjoyed this week’s tip and the latest in the analyzing lines series. Please feel free to share this tip/site with your friends, colleagues and students. There are links below for quick sharing access to Facebook, Twitter, LinkedIn, etc.

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About the Author jasonklobnak

Jason Klobnak is a versatile trumpet player that has been performing as an active musician, author, clinician, composer and educator. His band, J's Ruckus, is Denver's blend of Post-Bop, Soul, Gospel, and Hip-Hop. They perform infectious and up-lifting originals for audiences hungry for a memorable live experience. J's Ruckus released their latest album, Suck Less, in March of 2020 and their first EP, Sermons, in July of 2019. Both were recorded live in front of an audience. Suck Less was recorded to a packed auditorium at Arapahoe Community College's Waring Theater in Littleton, CO. Sermons was recorded in front of a sold out crowd at the Soiled Dove Underground.  The JKQ (the Jason Klobnak Quintet/Quartet) is Mr. Klobnak's Hammond B-3 centered groups. The JKQ released their third full-length album in March of 2018 called Friends & Family. It has been very well reviewed, on numerous Top 10 lists for Jazz radio stations across the country (including Denver's KUVO 89.3FM which named it May 2018's CD of the month), and in Jazzweek's Top 100. Each composition was written for specific family and close friends (that might as well be family). Their second album, New Chapter, was recorded in part thanks to the Pathways to Jazz Grant from the Boulder County Arts Alliance. In 2015 and 2016, New Chapter was in the Top 75 on the Jazzweek charts and on the Top 10 playlists for over a dozen radio stations worldwide. Their first album, Mountain, Move made the Best Recordings of 2013 list from AllAboutJazz.com by C. Michael Bailey. His very well reviewed Christmas single, Hark the Herald, in 2016 as part of a creative project with musicians James Roberson and Nathaniel Kearney Jr. Besides the JKQ, Mr. Klobnak is a B.A.C. (Best American Craftsman-custom trumpet), Denis Wick (mouthpiece and mutes) and Westone Audio endorsed artist (ES20 and Tru Customs). Mr. Klobnak has played and recorded for numerous groups ranging from jazz, soul/R&B, indie-rock/pop and gospel. In addition to performing, he has also written two improvisation-based books called Targeting: Improvisation With Purpose and Breaking the Monotony and is currently an adjunct professor and brass instructor at Arapahoe Community College. Mr. Klobnak holds a bachelor degree from Drake University (Des Moines, IA) and a Master’s degree from the University of Denver, Lamont School of Music (Denver, CO).

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