Welcome to the 3rd part of this duets mini-series. I truly hope you have enjoyed them and that they have added value and benefit to your playing in some way. In Part 3 we are going to look at how doing call & response in a duet setting can help your personal improvisation development.
I’ve given a quick definition of what call and response is in previous posts (particularly in Key Fluency part 2). However, if you haven’t checked that post out, here’s a quick definition: “One person makes a call, or musical statement, and then another person (or group of people) make a response back.” This is really simple to do in a duet setting. One person plays an idea/phrase and the other person plays it back. However, in this post I want to talk about a few different ways you can do this beyond the standard call/response to enhance your duet experience:
These are all great ways to exercise your ears while having fun and developing your personal improvisation vocabulary. Playing duets allows you to draw from other people’s experiences and is a great way to keep the jazz community alive and active.
I truly hope this post has added value and benefit to you and your students. If you haven’t yet, please check out my Digital Store where you can find more information on two books that I have released (Targeting: Improvisation With Purpose and Breaking the Monotony).
Welcome! I truly hope this post adds value and benefit to you and your students. Take a look around the tabs above, previous posts and my Digital Store where you can find more information on two books that I have released (Targeting: Improvisation With Purpose and Breaking the Monotony).
We are continuing our discussion of Duets and how they can help your improvisations. Last week we looked at the benefits of playing duets with another person without any accompaniment or written music (after deciding the chord progression, of course). In Part 2 we will look at the benefits of playing duets with written charts.
Playing duets with sheet music in front of you adds another layer of positive development to your overall playing. You may be wondering, “wait a second, Jason. How is playing written duets going to help my personal improvisation goals?” That’s a great question! As jazz musicians we grab ideas (melodic statements, motifs, licks, etc) and allow them to eventually show up in our improvisation. We grab those ideas from multiple sources: recordings, live concerts, jam sessions, patterns, books, etc. Written music (for example a book of duets) should not be discounted.
Playing written duets has similar benefits of improvised duets (without accompaniment), but does have some additional ones:
There are a few good jazz duet books written that are available. However, in my opinion, The Ultimate Collection of Jazz Duets Complete by Rich Willey is one of the best out there. If you and a friend (or your students) need a good jazz duet book-this is it. They start fairly easy and get progressively more difficult so they’re perfect for any musician at any stage in their development.
I hope you’ve enjoyed this tip and that it has added value and benefit to you in some way. Go out this week and play some duets!