Hey Everyone! Welcome to week 3 of the improv tip series. We’re continuing the rhythm series and this week I’m going to talk about how we can use a clave to help with our rhythmic interest in swing. Some of you may be saying, “Wait a second, Jason. Clave is a pattern used in Latin music. How can I incorporate that into swing?”
Good question! Clave (and it’s various patterns, i.e. the 2 + 3 and 3 + 2 son clave and rhumba clave) is a HUGE part of latin rhythms. However, we can utilize those same patterns in swing. There are countless YouTube videos up of drummers showing how they work on their swing by playing their kit alongside a clave pattern. As improvisers, we can utilize the same concept. It’s great to have connected and flowing eighth note lines in our improvisations, but we need to create rhythmic interest as well. Last week I quoted Dizzy and how he mentioned he “fills his head with rhythm.” So in this week’s tip, we’re going to “fill our head” with clave rhythms. There are a number of clave patterns that you can use. I’m going to give just a few brief examples of some clave patterns (there are more and you can utilize them as well).
As an exercise, practice improvising using just those rhythms over a song you’re working on. Obviously, this is just an exercise and not something you would play on the bandstand over and over as that would be too predictable and boring. However, when you have the feel of the clave going in your mind, you can create rhythmic interest in your improvisation. Some lines can have the clave pattern or you might find yourself articulating eighth note lines with the clave pattern. Below are just a few quick musical examples of how an improvised line can be influenced by the clave. The first one is pretty obvious the pattern. The second is a predominately eighth note pattern, but the articulation is reflective of the clave pattern.
I hope you’ve enjoyed this week’s tip! I talk about how I connected my melodic lines in the examples above in my book, “Targeting: Improvisation with Purpose.” You can check it out by going to THE STORE.
Jason Klobnak is a versatile trumpet player that has been performing as an active musician, author, clinician, composer and educator. His band, J's Ruckus, is Denver's blend of Post-Bop, Soul, Gospel, and Hip-Hop. They perform infectious and up-lifting originals for audiences hungry for a memorable live experience. J's Ruckus released their latest album, Suck Less, in March of 2020 and their first EP, Sermons, in July of 2019. Both were recorded live in front of an audience. Suck Less was recorded to a packed auditorium at Arapahoe Community College's Waring Theater in Littleton, CO. Sermons was recorded in front of a sold out crowd at the Soiled Dove Underground. The JKQ (the Jason Klobnak Quintet/Quartet) is Mr. Klobnak's Hammond B-3 centered groups. The JKQ released their third full-length album in March of 2018 called Friends & Family. It has been very well reviewed, on numerous Top 10 lists for Jazz radio stations across the country (including Denver's KUVO 89.3FM which named it May 2018's CD of the month), and in Jazzweek's Top 100. Each composition was written for specific family and close friends (that might as well be family). Their second album, New Chapter, was recorded in part thanks to the Pathways to Jazz Grant from the Boulder County Arts Alliance. In 2015 and 2016, New Chapter was in the Top 75 on the Jazzweek charts and on the Top 10 playlists for over a dozen radio stations worldwide. Their first album, Mountain, Move made the Best Recordings of 2013 list from AllAboutJazz.com by C. Michael Bailey. His very well reviewed Christmas single, Hark the Herald, in 2016 as part of a creative project with musicians James Roberson and Nathaniel Kearney Jr. Besides the JKQ, Mr. Klobnak is a B.A.C. (Best American Craftsman-custom trumpet), Denis Wick (mouthpiece and mutes) and Westone Audio endorsed artist (ES20 and Tru Customs). Mr. Klobnak has played and recorded for numerous groups ranging from jazz, soul/R&B, indie-rock/pop and gospel. In addition to performing, he has also written two improvisation-based books called Targeting: Improvisation With Purpose and Breaking the Monotony and is currently an adjunct professor and brass instructor at Arapahoe Community College. Mr. Klobnak holds a bachelor degree from Drake University (Des Moines, IA) and a Master’s degree from the University of Denver, Lamont School of Music (Denver, CO).
Please log in again. The login page will open in a new tab. After logging in you can close it and return to this page.